Born and bred in Louisiana, I emigrated to the Midwest around the turn of the century and have now lived in Michigan for almost twenty years. After a couple of decades in which I creatively devoted myself to fiction writing, I’ve been drawing regularly for over four years and painting now for about two.
My interest in drawing rekindled in late autumn of 2015; I began doing small drawings and sketches with Uniball Micro Black pens (beloved since childhood) before branching out to larger work, stronger materials (archival ink pens and Canson sketchbooks), and, among other things, Fairy Locks, a webcomic that was long on hiatus but which is currently in production again and hopefully to conclude by the end of 2019. A couple of friends and relatives piqued an interest in watercolors, and, having started doing those in December 2017, it took me very little time to roll over to acrylics as well. I’ve only tentatively started to explore oil painting, but a recent attachment to ink sketchwork may have put this on hold. The work featured here is roughly a quarter of what I’ve done in the last couple of years.
It’s hard to tell as yet what any of my work really means; like many creative types, I enjoy observation, and given my personality, it’s hard not to let satirical or absurd intent into my pieces, conscious or no (Goya’s my favorite artist ever–though John Sloan’s gaining–and Hogarth and Daumier are great inspirations). I spent two years on drawing and online comics and illustrations before I even thought about painting, and much of my work that isn’t landscape or abstract still comes from a similar perspective. Given that writing fiction was my primary creative outlet for the two decades beforehand, narrative also comes into play with most of my work. Much of my most recent work takes conventions of landscape and portraiture and twists them a bit–often with reference to myth or folklore–with an eye towards using said conventions to allude to or comment on social situations or issues.